he essential quality of the infinite,  is its subtlety, its intangibility… “Uncharted Seas” captures this essence and you share the artistes’ search for that which cannot easily be given a name…  Through images that were   so poetic, so beautiful, so pure that they actually hurt, Aditi and her  team have managed to give us a glimpse of that which has no name.  By no means an easy task!
Shanta Serbjeet Singh, September 24th 2006, Hindustan, Delhi

Aditi brought amazing versatility to her choreography and the remarkable ease with which she and her troupe performed without diluting kathak’s spontaneity, is a must to make a recital successful….(Their) strength throughout the production, lay in ensuring that after displaying the virtuosity of nritya aspect, they could afford to pull the movement back, shove it to the background and reveal the essence of the piece though abhinaya
Lada Guruden Singh, September 22nd 2006, The Statesman, Delhi

Exploring the infinite…The Kathak performance by Aditi Mangaldas and her group was like a chimera in light-and-shade that conducts a search- physical,emotional, psychological-into the realms of the unknown….The choreography remains a rare treat…then comes the raging storm and Aditi recapitulates Rumi…There is a brilliant Kathak piece to the tune of Kabir…
Dr. Utpal K. Banerjee, The Pioneer, Delhi, Sept.19th, 2006

As soon as I saw Aditi Mangaldas and her company perform I wanted to write about them. Classical- that was the first word that came to mind. Contemporary – certainly. Modern? I am not so sure. The complex interaction of meaning and passion defies the straightforward rationality of the modern. Cosmopolitan – as western savoire faire and the multiple traditions are quite at home in her dance. Kathak – absolutely…..The question of time becomes apparent as you become immersed in the flawless dancing. Multiple stories are revealed…
Dr.Amrita Shodhan Professor ( ex) CUHK – Hong Kong, April 2006.